How we work

Storytelling comes first. Every shot is chosen to support the presenter's message and the narrative on stage.

No two shows are alike, even when they look similar on paper: each has its own goals, requirements and challenges. We treat that as the best part of the job, and work closely with production teams to solve each show's puzzle together.

Good shows depend on people who don't share a vocabulary understanding each other: broadcast, content teams, executive producers, crew. Adam has worked nearly every one of those jobs, and spent four years teaching the technical side of the craft, so he can explain a camera decision to an executive producer and a power plan to an engineer in the terms each one uses. In pre-production that means meeting each department on its own terms, on the look and on the technical detail, confirming what's right and flagging what will cause trouble before anyone loads in. It's part of every show we direct, and available on its own.